11.08.2007

The Carl Stalling Project


Music From Warner Bros. Cartoons 1936-1958
(1990)
More Music From Warner Bros. Cartoons 1939-1957
(1995)
The Music That Subliminally Warped An Entire Generation of Kids


American
kids of the 50s and 60s could hardly be expected to comprehend the musical chaos underscoring the talking ducks, wily rodents and dimwitted dogs that populated the world of Warner Bros. cartoons. If you're of a certain age, Saturday mornings provided a steady, subliminal diet of mis-shaped modern composition and avant-garde orchestral music, courtesy of Warners' house composer Carl Stalling. Stalling's genius was that he mixed his sometimes wildly careening orchestrations with classical cues and lighthearted adaptions of Americana song (e.g. "How Dry I Am"), creating a mashed-up pastiche of sound & effect. All you need to do is listen - without the visuals - to hear how truly revolutionary Stalling's work was; the plucked cellos that accompanied tiptoeing characters, the mad flurry of strings & woodwinds that signaled a frenzied dash and the sudden, violent outbursts of brass and percussion, now synonymous with a mallet in the face. Parisian fanfares, operatic show tunes and hairpin tempo changes were all part of the live mix. Without realizing it, we were all experiments in Warner's own "Ludivico Technique," spellbound by the violent imagery while Stalling's beautiful dissonance entered our brains via the soundtrack. No one's been quite the same since. Is it possible that Stalling's work subliminally influenced the musical experimentation of the 60s? Maybe. Guys like Frank Zappa and John Zorn have always admitted the direct lineage from Stalling's work to their own. 50 to 70 years later, Stalling's inventions are still profoundly subversive. Below, you can hear Stalling's 1955 Road Runner soundtrack, "Guided Muscle," from Volume 2. The great Hal Willner produces. Track lists are in comments.


Bonus:
Head to Dinosaur Gardens, who've posted the rare, Carl Stalling track, "Stupor Duck," which appeared only on the cassette version of the original 1990 release. It's not available on any other issue.


Cartoon Bonus:
Here's Wile E. & Road Runner in 1955's Guided Muscle. A saintly YouTuber, loogieone, has posted what may be all of Warner's Road Runners (43 of 'em, anyway). Just remember to steer clear of the later, mid-60s toons (post-Stalling/Milt Franklyn), when economics forced WB to sideline the 60 piece orchestra and begin using generic (and inferior) music scores.

11 comments:

Willard said...

Music From Warner Bros. Cartoons 1936-1958
Putty Tat Trouble Pt. 6
Hillbilly Hare
Early WB Scores - The Depression Era (1936-1941)
The Good Egg
Various Cues From Bugs Bunny Films (1943-1956)
There They Go Go Go
Stalling Self-Parody - Music From Porky's Preview
Anxiety Montage
The War Years
Medley - Dinner Music For A Pack Of Hungry Cannibals
In Session (1951-1956)
Speedy Gonzalez Meets Two Crows From Tacos
Powerhouse And Other Cuts From The Early 50's
Porky In Wackyland - Dough For The Do Do
To Itch His Own

More Music From Warner Bros. Cartoons 1939-1957
Zoom And Bored
Stage Fright
The High And The Flighty
Bad Swiss Band
Marching Pink Elephants
The Slap Hoppy Mouse
Orchestra Gag
Variation On Grandfather's Clock
Variation On Chinatown My Chinatown
Variation On Lucky Day
Wind-Up Doll
Guided Muscle
Fall And Splat-SFX
Ghost Wanted
The Unexpected Pest
Drunk La Cucaracha
Flea-Ridden Sheep Dog
Golf Cue
Barbary Coast Bunny
Satan's Waitin' [Excerpt]
Rubber Dog
Pappy's Puppy
Variations On La Danza
Variations On Johann Strauss
Kangaroo-SFX
Mouse-Taken Identity
Variations On Mexican Hat Dance
Frazzled Coyote

Anonymous said...

Welcome back!

Uh ... you're not very tan, are you?

Willard said...

Thanks...
Uh... not at all.
Just had to rustle me up some varmits.
W

Django said...

Coooool, thanks!

Anonymous said...

nicety nice. thanks man...!

Knox said...

Greatness. Thanks

Anonymous said...

I have both of them, and thanks to Carl Stalling, I also discovered Raymond Scott who's music inspired Carl's own playful themes. I miss them both & wish they were still around.

-->D.Moose

Willard said...

Hey D,
Good to hear from you. Yeah... for those interested, there are a couple of Scott compositions on Volume 1 ("Powerhouse" and "Dinner With A Pack of Hungry Cannibals"). What was cool about Scott and his band was that, as cartoony as his material was, his was a real, performing big band. He didn't write for cartoons, but his music just seemed to fit - not only Warner's toons, but other toons as well.
Cheers
W

Anonymous said...

This might be the coolest blog I've ever stumbled across. Digging the Carl Stallings, which I had taped years ago when one did that... I'll have to unearth my R. Scott, his Soothing Sounds for Babies got me through many a naked lunch...

Thanks!

L said...

Great post, great commentary. So now I understand (partially) why I was glued to the TV as a kid (and I ignore it now) - I'd rather be seeking out fabulous music like this. THANKS.

Anonymous said...

Thanks a million for these! I can definitely hear how Zorn was influenced by Stalling's cartoon scores - just listen to Naked City or his Cat o'Nine Tails string quartet.